Affixing canvases to a wall, the floor, or the ground if painting outdoors, Pollock dripped and poured commercial house paint from cans and arranged it using “sticks, trowels, or knives,” sometimes augmenting it with sand, broken glass, or “foreign matter,” as Pollock stated it. He placed great import on being able to walk around such paintings and work on them from all four sides. Such “action painting,” opined artists and critics, expressed or revealed the unconscious moods of the artist. Pollock’s drip paintings, as Willem de Kooning said, “broke the ice” for the Abstract Expressionists who followed Pollock.
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